In the realm of audio plugins, Mathew Lane's DrMS stands out as a unique and specialized processor. Here's a comprehensive look at what it brings to the table:
First Impressions
At first glance, the plugin might seem a tad nerdy and intimidating. However, once you dive in, it's relatively straightforward. The plugin primarily works on the mid and the side channel, with two standout sections: the focus and the field.
Features
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Focus & Field: These are the heart and soul of the DrMS. The focus allows the mid signal to be injected into the sides, while the field does the opposite. This is particularly useful for rectifying mono compatibility issues.
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Individual Instances: The plugin offers filters, input, gain, format (left/right or M/S), and delay settings. The left/right format, in particular, sounds impressive in my review, but that's also context-dependent. There's also a solo feature, allowing users to listen to how the sides have been ported to the mid-chain. Additionally, there's a flip phase option for those who might need it.
Who is it for?
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Beginners: If you're just starting out, this might not be the plugin for you. It's essential to first understand the basics of mixing and managing the mid-side channel.
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Intermediates: This plugin can be invaluable as it helps identify and rectify issues within projects.
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Professionals: For those with years of experience, DrMS is a must-have. It streamlines the process of making those final tweaks, saving significant time.
Conclusion
Mathew Lane's DrMS is unparalleled in its category. Its unique features and the ease it brings to M/S processing make it an indispensable tool for any serious audio engineer or producer. Highly recommended for those looking to elevate their sound quality.
